Showing posts with label Week 4. Show all posts
Showing posts with label Week 4. Show all posts

Sunday, September 20, 2020

Week 4 Microfiction: The Blue Jackal


THE BLUE JACKAL

There was once a jackal who fell into a vat of blue indigo dye. The other animals were amazed when they saw the blue jackal!
"The gods have sent me to be your ruler," the blue jackal explained. He made the lion his prime minister, the tiger was the royal treasurer, and the elephant was his doorkeeper.
One day, though, the blue jackal heard other jackals howling in the distance. He could not resist; he began howling too.
"He's just an ordinary jackal!" shouted the other animals.
So the lion and the tiger attacked their former king and killed him.

Blue jackals still howl like jackals.


Author's Note. In a previous microfiction, I used an African American Brer Rabbit story for the 100-word version, and then a 6-word version that was like a proverb, something that alluded to the story the way "the boy who cried wolf" alludes to a famous Aesop's fable. You can see that here: The Tug of War.

I really like how that turned out, so I decided to try it with a folktale from India that is one of my favorites: the story of the blue jackal comes from the ancient Indian Panchatantra, and you can read an English version by Arthur Ryder. There are more Panchatantra stories here: India.LauraGibbs.net.

In making the six-word version, I used "jackals" in the plural so that I didn't have to waste a word on the article (the blue jackal), but then, once I put it into the plural form, I liked that because it generalized to the idea that there are all kinds of blue jackals out there, metaphorically speaking: people who pretend to be something they are not.

Fun fact: the indigo dye that turned the jackal blue gets its name from India: indigo etymology.

Image Information: Fake Twitter made with Zeoob.

Sunday, September 13, 2020

Week 4 Famous Last Words: writing-as-refuge

I've finished up most of the work for Week 4, so I'm going to do that famous last words post for Week 4 today. I got both Storybooks up and running: the Ramayana one for stories beyond Valmiki, and the Anansi project for Myth-Folklore. I'm really happy about both of those and excited to have two projects like this. 





I never tried doing both classes at once before, but I am glad I am doing this. I'm focusing my reading all on the Indian Epics stuff, but it feels so GREAT to be storytelling for both classes. Like I said in the post title, writing really is a refuge for me, and when I finally got to the weekend after a really busy and stressful week last week (my dad's death certificate finally came, so now the paperwork begins in earnest...), it felt so good just to focus on reading and writing stories. Plus laundry, which I honestly find really soothing too. I like doing laundry and feeling like I get a fresh start for the week.

And next weekend will be so cool: Week 4 is when lots of people put up their project sites, so next weekend there will probably be 50 or even more new websites that go up for the class and I will get to make the slideshow with everybody's projects, etc.

I just hope that creative spirit and energy will keep me from sinking into total despair about the COVID (Trump's new advisor, Scott Atlas, terrifies me) and also about the fires out west. Someone put Bladerunner music to these drone shots of San Francisco right now, and it was mesmerizing and horrifying at the same time.


What kind of world are my grandchildren going to inherit? I'm basically a very optimistic person, but I have never felt so fearful about what is coming, and it's all our own fault, the result of selfishness and willful stupidity.

So, I need to write a lot of stories today to improve my mood. It's going to be a long week next week, esp. with going to town for a doctor appointment on Thursday. I'm honestly dreading that; at least staying home I have good distractions: trees, books, music. I'll pick out a good book to read anyway for the waiting room at the doctor. That's the only good thing about doctor's appointments, ha ha: it means I get to do some reading during the week instead of waiting for the weekend. I've been wanting to read Koral Dasgupta's new Ahalya novel... and if I have a long wait, I might be able to get through half of it or more. That will be something good at least, a message of endurance and hope from Ahalya herself!




Week 4: Reading B / Ramayana

I'm carrying on reading Devdutt Pattanaik's Ramayana essays at his website, looking for stories beyond Valmiki's Ramayana that I might use.

Fake news: Was Sita the first victim? This is mostly about Valmiki, but the Uttara Kanda, which is controversial and rejected by some. I thought this moon symbolism was intriguing: "Though he belongs to the Suryavansh lineage, the solar dynasty, his name contains the word, Chandra or moon, to remind one — as per one folk tale – how his nobility gets eclipsed by the moon in the way he treats Sita." In Rama's defense, Pattanaik notes: "Ram never remarries! Although he is a king and is obliged to marry to perform royal rituals and produce royal heirs. This does indicate his absolute commitment for Sita." Hence, the famous "double" that he uses for Sita, the golden statue: "By placing next to him Sita’s golden image, gold being the symbol of purity, he establishes to the world that she is chaste in mind and spirit and, as far as he is concerned, she is pure."

Brahmins who rejected Ram. This is about Rama's brahma-hatya, the killing of a brahmin when he killed Ravana: "Ram had to do penance to wash away the stigma of brahma-hatya-paap before he sat on the throne of Ayodhya. Many pilgrim spots in India, such as Rameshwaram in the south and Rishikesh in the North, are associated with the penance of Ram." But some Ayodhya brahmins still rejected him and because Sarayupaareen brahmins, brahmins living on the other side of the Sarayu River... or else they are there as punishment for refusing to participate in the rituals that would cleanse Rama. Pattanaik points out that Rama is not alone: "God repeatedly kills brahmins: Ram kills Ravana, Krishna oversees the killing of Drona, Shiva beheads Daksha and Brahma." This is when those brahmins do not live up to their sacred duty; their caste is not enough. This comment about Shiva is fascinating: "Shiva is cleansed of brahma-hatya-paap in Kashi, which is why Kashi is such a popular pilgrim spot, but he remains a defiant god, choosing crematoriums to the sacrificial halls of brahmins."

Lustful Intentions. This also focuses on Valmiki's Ramayana, but a controversial moment, when Sita accuses Lakshmana of wanting to get rid of Rama so that he could have her. Commentators have used this to blame Sita, showing it as an example of her being irrational and thus to blame for her abduction: "One can’t help but wonder if this is the poet’s attempt to make her, rather than any oversight on the part of the brothers, responsible for her abduction. If only she had some faith in Laxman… If only she had not let her anxiety churn out such vile accusations…" Later, when they find the jewelry, Lakshmana insists that he recognizes only the anklets not the earrings, because he always looked down and saw only her feet, never her face. The story later goes to extremes to emphasize Sita's chastity: "A pure woman, a chaste woman, a woman who desires no one else but her husband is known as a Sati in the Hindu mythological world. This Sati is supposed to have magical powers, which includes her ability to withstand the heat of fire." Was Rama joking or serious when he said Shurpanakha should try Lakshmana? I never thought about that! And check out this great Mandodari legend: "Ravan’s wife, Mandodari, is considered a Sati, a holy woman, who remained chaste despite her demon-husband’s many shortcomings. In one folk version of the epic, one of Ravan’s chaste wife (Mandodari?) does looks upon Hanuman and as a result Ravan is no longer protected by the power of her chastity. This enables Ram to kill Ravan." And I need to find a citation for this legend of Draupadi and the fire (is it in the MB?): "Then of course there is Draupadi who is shared between the five Pandav brothers and not wanting to making anyone jealous goes to each brother one year at a time, passing through fire to ‘purify’ herself when the one year is over so she is a ‘virgin’ for the next husband." And I need to use this Punjabi folktale later for the Mahabharata book: "In Punjab there is a folktale that the Pandav brothers were expected to leave their footwear outside Draupadi’s bedchamber to indicate their presence inside. Once a dog stole Yudhishtira’s footwear and Arjun entered the bedroom embarrassing his wife and his brother. A furious Draupadi cursed the dog that henceforth he would copulate it public and be shamed before the world." ... this is a really useful essay; I need to bookmark this one to share with the class. Here is Devdutt's artwork for it showing Sita and Lakshmana:

Lakshman’s wife goes to sleep. Of course the Urmila-Nidra is a story I have to include! He includes a South Indian versions where Lakshmana must immediately go to sleep when they all return to Ayodhya so that Urmila can awaken. Here is Devdutt's art again:


This was Ravan too.  More about brahma-hatya: "on the hills of Rishikesh or in the temple of Rameshwaram, one hears the tale of how Ram atoned for the sin of killing Ravan." I never thought about it like this, but Ravana was Rama's guru: "Ram smiled, placed his bow on the ground and walked to where Ravan lay. Lakshman watched in astonishment as his divine brother knelt at Ravan’s feet. With palms joined, with extreme humility, Ram said, “Lord of Lanka, you abducted my wife, a terrible crime for which I have been forced to punish you. Now, you are no more my enemy. I bow to you and request you to share your wisdom with me. Please do that for if you die without doing so, all your wisdom will be lost forever to the world.”" (The story goes on at the article.) Even Valmiki notes Ravana's devotion to Shiva, and other legends develop it further: Rudra-Stotra, Rudra-Veena, Ravana carrying Kailash. Devdutt claims that Valmiki emphasizes this devotion only to further elaborate Ravana's hypocrisy and failure to live up to his potential: "Deluded, he gives only lip-service to Shiva. This pretender is therefore killed by Ram, who like Shiva, is another form of God."





Week 4: Reading A / Ramayana

 I'm carrying on with reading Devdutt Pattanaik's Ramayana essays and taking notes on them:

Ramayana when it Rains. This is about a 16th-century Malayalam Adhyatma Ramayana by Thunchaththu Ramanujan Ezhuthachan read during the month of Karkidakam during the rains. It's "Ramayana Month." This Ramayana features the Maya Sita! About the author, Ezhuthachan: " in his past life he was a gandharva who witnessed the Mahabharata war." There are more myths and legends at Wikipedia.

Unlimited Choice. Here Devdutt lists various legends not in Valmiki: the Urmila Nidra, the story of Sulochana, the Lakshmana-Rekha, and from the Mahabharata's Ramopakhyana: "Brahma tells a Gandharvi, Dundhubi, to be born as Manthara, “poison the mind of Kaikeyi so that Rama goes to the forest and kills Ravana”." He discusses the Jataka version, and also the version recently found in Kolkata (in the Vanhi Purana), where there is no sense of Rama-as-god. I definitely need to do the Hijra story:

The Hijra community has its own oral Ramayana. They say when Rama returned from Lanka, he found a group of hijras outside Ayodhya waiting for him. When questioned as to why they were living outside the city, they said, ‘While going, you told the men and women of Ayodhya who wanted to follow you to the forest to return home. But you said nothing to us hijras, who are neither men nor women. So we are waiting here for you, for your instructions, and maybe you will take us home with you.’ 

Ram and the Rooster. In stories from Odia, Rama learns about Sita's aduction from other birds. In Upendra Bhanja’s Baidehisa Bilasa and Ananga Narendra’s Ramlila, a rooster tells Rama about Ravana abducting Sita. Rama wants to give him a golden crown, but the rooster says it's bad enough to be chased for his meat; gold would be worse. He gets a crown of skin instead. In Balarama Das’s Dandi Ramayana, the rooster sarcastically asks for a crown (and Rama, mad at the mountains, strips them of their crown of trees); the rooster realizes immortality is what he really wants, so he runs after Rama, but it's too late; Rama is already gone. Another story has a crane: Sita's tears from from the sky and turned its feathers white: "Ram blesses the male crane that during the four months of the rainy season the female crane will feed it; he will have to do no work. The male crane feels everyone will make fun of him for eating his wife’s leftovers but Ram assures him that just as Sita is equal to Ram so is every wife equal to her husband and so eating her leftovers is nothing to be ashamed of."  In the Assamese Ramayana, a gander says Sita left Rama because she was bored in the forest; Rama gets angry, grabs the gander, which stretches its neck.

Ram and Rain. This is a piece about Tulsidas's Ramayana and the symbolism of the rain during the rainy season in Kishkinda.

How different are the Jain Ramayana and Jain Mahabharata from Hindu narrations? I'll want to come back to this one for the Mahabharata also. There are some points here that are more intriguing than others; here are the ones I want to learn more about:
"Sita was the daughter of Ravana and Mandodari who was found and raised by Janaka"
"Sita has a twin-brother, Bhamandala, who is abducted as an infant, and when he grows up becomes a king who meets, falls in love and tries to abduct Sita, but then turns into a monk when he realises she is his sister"
"Ram goes into forest exile as he feels sorry for Kaikeyi whose son wants to become a monk. With Ram leaving the palace, Bharat is forced to stay back and take care of the city and his mother"
Ravana "had a necklace with nine pearls that reflected his head nine times giving the impression he had ten heads"
"Lakshman kills Ravana as Ram prefers non-violence"
"When Sita steps into the fire to prove her chastity, the fire turns into a lake and she becomes a Jain monk" (wow!)

And in honor of that long-necked gander (NeedPix):



Saturday, September 12, 2020

Storybook Plan: Beyond the Ramayana

My plan is a simple one: I want to do a collection of 100-word Ramayana stories, focusing on stories that are not in the Valmiki Ramayana. There are LOTS of these stories, and I've been collecting them for my Ramayana project at 100Words. Plus I already have some that I can use. I'll organize them by character, so here are some ones to keep in mind going forward:

Rama: Hanuman Seeks Rama's RingBaby Rama's Cosmic FormHanuman and the KiteRama and Hanuman in the OrchardRama and Ravana's MotherRama and the Devoted CrowRama and the Frog, Will Rama Renounce the World? ... plus Rama and the squirrel, 

Sita: Sita in the Kitchen... plus Lakshmana-Rekha, Maya-Sita, Sita lifts the bow

Hanuman: The Ramayanas of Valmiki and HanumanHanuman and SuryaShiva and the Dancing Monkey plus so much from Ramakien, etc.

Ravana: Ravana Rebukes MandodariShiva and Nandi on Mount Kailash, Ravana and Ganesha... plus the veena, etc.

There are going to be so many more than I can even use! I'm looking forward to finding images to use with them; I can use some from the blog, like this one for Hanuman and Surya:


Comment Wall: Beyond the Ramayana

 Thank you in advance for your feedback!

Beyond the Ramayana
Lesser Known Folktales and Legends of
Rama, Sita, Hanuman, and Ravana